I have been procrastinating the review of this book, Kafka on the Shore by Haruki Murakami, until now. It is one of those books that after reading it, it leaves a bitter taste in the mouth. I felt betrayed reading it.
The japanese literature has always been a concoction of reality and fantasy, weirdly and successfully webbed into a twisted plot. It is a dish of fable, metaphor, and nonfiction. At least this is what I feel everytime I come across anything japanese.
I found this book from a rummage sale at the church some years back. Being far away from the last pay and still halfway through the next, I dig in the pile of forgotten books in the store room to find one that would momentarily satisfy my hunger. I have read somewhere about Haruki Murakami before, a distant memory, of how talented this guy is who penetrated the western market. Minutes, if not hours, of going through my books one by one, I have decided wildly - I would give this book a shot.
Turning the pages did not seem like a task because this guy does have the flair for writing. This book was originally written in his mother tongue, and the translation may have an effect on the whole package. However, the sequencing, the movement from one thought to another, the story telling are most likely retained. Before I realized it, I was already immersed in it.
The book is about sexuality, coming of age, darkness within, and light without. Haruki Murakami tackled all sides of sexuality, and he elaborately weaved it into the plot. He presented another side of intimacy, one that feels raw and uncomfortable. The intricate, lights-off details that have not landed in a decent piece I have read before are found in this work. It also enveloped on itself the idea of our reality, until you encounter the talking cats. Then you'll bounce back to what it really is.
I read the book without much expectations. I went through the words and watch the characters take flight before my eyes. I did not understand some of it. I tried to reason it based on what is normal everyday, due to its attempt to make it as normal as possible. But I guess there are some things beyond the boundaries of logic, and therefore, accepting it as it is is the most convenient. I let the plot flow in me, taking it literally within the context of its environment. I stopped thinking about it.
The interesting part of the book is the established connection between Kafka, Mr Nakata, and Miss Saeki. Miss Saeki is the beginning of Kafka and the end of Mr Nakata, with the mutual effect on her. Miss Saeki was a walking zombie of her emotional past; her revival started and ended with Kafka. Her broken shell that she somehow managed to recollect shattered to its tiniest bit at the presence of Mr Nakata. It is now that I realize, while writing this blog, that the coming of age was presented in three different possibilities - Kafka being a teenager, Miss Saeki after a terrible heartache that stopped her youth, and Mr Nakato, who had never experienced any transition at all, turned into adulthood, at the age of 60. He took risks, followed his heart, made his one and only friend, and found himself. When he finally took hold of the physical world, he stopped understanding cat talks.
The book has a gloomy texture, coupled by the cover of that printed version copy of mine. It felt like walking through the pages of Sophie's World, and of reference books about musically influential people. It injected a drop of japanese mythology, widened its scale with a grab of the taboo, thus freeing the author of inhibitions. It is in this book that the not-normal camouflages into the norm, and anything otherwise is but an accessory. Now you know why I felt betrayed reading this book. I permitted its storyline to transform to any manipulative rhythm and perspective, but by doing so, it lost me. Or I lost it. This seductive strategy, this self-inflicted cat-and-mouse chase was what glued my hands to this book. The curiosity that welled up inside me made me turn pages through pages until I hit the full stop. If Mr Nakata did not lose his ability to talk to cats and joined the army of Johnny Walker, he could have understood me. And killed me. Then add my soul to a collection of cat souls to make a flute.
